In part that is probably down to the excellent geometric accuracy of the 507 (you'd expect nothing else from such an obviously engineered product), but it also suggests a deep and abiding understanding of the flaws in so much reproduced music. Listening with the Dynavectors went a long way to removing the system from the equation. It wasn't that they were invisible, more that they didn't intrude. It's a trick that the current products haven't forgotten. Twenty years ago, when the accepted benchmark was an SME 1 11 with a V15-IV, the combination of the 505 and the 13D must have been either a culture shock or something of a revelation, depending on your point of view. The fact that it still makes a valid musical statement today suggests which it should have been. I for one have thoroughly enjoyed our long awaited introduction.



Special Edition in Chrome and Black finish